bagged, tagged, and submitted

it’s tuesday.  i’m still pretty tired.  i know that, if i’m this tired, the director and dp are lucky to be moving.  another 48 hour film project has come to a close.

here’s how it went down in case you care…

friday after work we gathered at motke’s house and brainstormed a little while waiting on bobby to call with the gnre and required elements for the film.  once bobby called to let us know that we had the genre “film de femme” and all the elements, we started brainstorming for real. 

i just want to take a second and say that “film de femme” is a fantastic genre.  it not only allowed us to showcase the amazing actresses that we had on the team, it allowed us to pretty much pick any freaking genre we wanted.  we were very happy with that.

anyway, we brainstormed and brainstormed and came up with a pretty great idea involving some killer realestate, a young doctor and her husband the electrician.  it’s really kinda twilight-zone-esque.  then the writers adjourned to the upstairs, the actors and actresses peaced out, and the production team had a short meeting.  and then i went home. 

out at the house, evan, who had not gone to the meeting, had worked out some theme music which was amazing and which we ended up using.  it’s the only music in the movie and it’s awesome.  we then spent a few hours playing with audio to get ideas.  and then i went to sleep.

at 7 the next morning, we all arrived back at motke’s house to eat breakfast and prepare for filming at 8.  that’s when we could get into the house that we were using as the set.  many many thanks to the fellows who let us use their amazing house.  it was perfect.  at 8 we began filming the outside scenes… at 8:30, ALL THE NEIGHBORS STARTED MOWING THEIR LAWNS AND TRIMMING THEIR HEDGES.  which means, of course, that it was impossible to get clean audio.  there were also lots of cars passing and planes flying overhead as well.  which means that, though i swore that ADR could kiss my ass this year, we had to dub two scenes.  even so, it was 6 lines instead of six minutes of ADR.  i can live with that.  once we got inside the audio was much better.  filming proceded at a slow but steady pace and we wrapped up about 8 o’clock… which was good because that’s when we had to be out of the house! 

back to motke’s house to get some dinner (which was fantastic, thank you craft services!) and then out to memphis (my house in bellevue) to start post-production.  once at the house, the film team sat down and started cranking out video and i peaced out to get a little sleep.  five hours later and they were still going at it, but they had something for audio to work with, so we got started on that.  then the actors showed up for the six lines of ADR that we had to do and i took off to run sound for church.

to any of you who talked to me at church this past sunday, i wish to extend my sympathies.  i was running on caffiene and adrenaline and not much else.  i’m not entirely sure what i said or how i said it.

i drove back to the house where evan and motke had finished the ADR and started putting together the soundtrack for the film and the video team was still cutting and splicing and whatever else video people do (i don’t know a thing about video – they could be waving wands and dancing circles around the computer and i would just assume that they knew what they were doing). 

and… well… that’s pretty much where we stayed for the rest of the time… everyone in their spots just cranking along at their job as hard as they could.  it got tense there at the end, of course… we had some last minute technical issues and it got down to the wire.  i broke 110mph in my little truck trying to get from belview to jj’s market in 15 minutes.  i made it with three minutes to spare.  because i’m awesome.  sadly i screwed my fuel economy sideways doing it, but hey, what’s art without a little sacrifice, right?

i’ll have more info about screenings at the belcourt later.  but for now, what you’ve all been wating for…

“safe as houses”

a quick note though… if you are going to watch this film on your computer (which i would assume, since this is a link to a website) please do so on a computer which is hooked up to a decent speaker system that has a subwoofer.  you’ll miss so much if you don’t.

that is all.  enjoy.

3 Responses to “bagged, tagged, and submitted”

  1. Hey there,
    I’m Sue, an intern at Rumblefish. I saw that you had written about and participated in the 48 hour film project. Rumblefish was just named the official music provider for 48 hour film project and we’re working with 48HFP to spread the news, so i thought i’d let you know that all the filmmakers now have great music they can use in their films. If you have any questions, feel free to contact the 48 hour film project or the marketing director at Rumblefish – corey@rumblefish.com
    I’ve also placed the press release in this comment which gives more info from 48 Hour Film Project about our partnership.

    Thanks for your time!
    Sue Johnson
    Marketing Intern

    For Immediate Release
    May 12, 2008
    Contact: Corey@Rumblefish.com

    Rumblefish Named Official Music Provider for World Renowned 48 Hour Film Project
    Producers Enabled by Innovative Music Licensing Partnership

    PORTLAND, OREGON, USA – MAY 12, 2008 – Rumblefish, the world’s leading Sonic Branding and Music Licensing Agency, partners with 48 Hour Film Project, providing thousands of filmmakers around the world who participate in 48 Hour Film Project with a variety of expert-curated licensed music for their films for the first time since the project’s inception.

    48 Hour Film Project aggregates more than 30,000 filmmakers from around the world to compete and see who can make the best short film in just 48 hours. Regional contests with teams of filmmakers are assigned a genre, a character, a prop, and a line of dialogue. Filmmakers have 48 hours to create a short film containing each assigned element. Films from each city are screened at theaters in that city. Founded by Mark Ruppert in 2001, produced by Liz Langston & Mark Ruppert, the project has yielded 2000 films in 34 states and eight countries. The current 2008 tour includes more cities and more teams than previous years, including Anchorage, Athens, Edinburgh, Geneva, Key West, Mumbai, and Singapore. For the first time, filmmakers have the option of adding music to their productions from a variety of genres by utilizing their exclusive access to the Rumblefish Music Licensing Store®. Rumblefish licensing experts hand-picked appropriate music from bands and labels around the world and made it available to 48 Hour Film Project with an exclusive password protected entry into the Music Licensing Store, giving participants access to a boutique of pre-cleared quality music from well known record labels and up & coming bands. The Rumblefish partnership enables 48 Hour Film Project filmmakers to utilize music through a 3 minute licensing process as opposed to the average 30 hours needed to license one song per film.

    Rumblefish CEO & Founder Paul Anthony says “Participating filmmakers deserve the broadest music palette that the music industry can provide and the Rumblefish Music Licensing Store (sm) makes that possible.”

    “The Rumblefish Music Licensing Store is the perfect resource for our film makers because they can get great music, legally licensed at a fair price when time is short and pressure is high” says 48 Hour Film Project founder Mark Ruppert.

    About Rumblefish
    Rumblefish, Inc., a Sonic Branding and music licensing agency, makes it possible for businesses and Creatives to harness the power of music to tell stories and grow their companies. The Rumblefish Music Licensing Store® (MLS) online platform makes available an expert-curated catalog of over 20,000 songs by both established and up and coming independent artists and labels including Kool & The Gang, The Feelies, Supersuckers, George Clinton and Talib Kweli w/the Procussions. Dubbed “an iTunes for Licensing” (Billboard, July 2006) MLS makes it easy to license music for major brands, films, commercials, TV programs, video games, the web and new media with pre-cleared, pre-priced easy to license music. In addition to licensing music, major international brands including Red Bull, adidas Originals and The North Face tap Rumblefish’s Sonic Branding agency to answer the question “What Does Your Brand Sound Like?”®. Through a sonic identity profile®, Rumblefish defines the brand sound as well as opportunities to grow the business with music and implements music programs that create significant competitive differentiation, increase sales and brand recall.

    About the 48 Hour Film Project
    The 48 Hour Film Project is the oldest and largest timed film competition in the world. In 2008, more than 60 cities will participate, with over 30,000 filmmakers expected. The 48 Hour Film Project’s mission is to advance filmmaking and promote filmmakers. The tight deadline of 48 hours puts the focus squarely on the filmmakers—emphasizing creativity and teamwork. While the time limit places an unusual restriction on the filmmakers, it is also liberating by putting an emphasis on “doing” instead of “talking.” The emphasis is also on building communities of local creative people, facilitating making new connections, showcasing skills, and celebrating what creativity and teamwork can accomplish in just one weekend. The 2008 tour begins in April in Boston and ends in October. For more information go to http://www.48hourfilm.com.

    Cities include: Albuquerque; Amsterdam; Anchorage; Asheville; Athens; Atlanta; Austin; Baltimore; Barcelona; Berlin; Boston; Brisbane; Buffalo; Chicago; Cincinnati; Cleveland; Dallas; Denver; Des Moines; Detroit; Edinburgh; Fargo; Ghent; Greensboro; Honolulu; Houston; Indianapolis; Jacksonville; Kansas City; Key West; Las Vegas; Little Rock; Los Angeles; Louisville; Madison; Miami; Milwaukee; Minneapolis; Mumbai; Nashville; New Orleans; New York; Paris; Philadelphia; Phoenix; Pittsburgh; Portland, Maine; Portland, Oregon; Providence; Richmond; Rome; Salt Lake City; San Antonio; San Diego; San Francisco; San Jose; Seattle; Second Life; Singapore; St. Louis; Tampa; Tel Aviv; Utrecht; Virginia Beach; Washington, DC; and more…

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